Straddling art vs. propaganda, artists of from The Ecole des Beuax-Arts in Paris created posters supporting rebellion and rejection of the, at the time, status quo of French society. 1968 being in the pre-internet age, these artists were able to disseminate information through the printing thousands of posters. These posters didn’t simply deal with a singular social issue or call for a singular change but rather fought societal establishments and hoped for a more utopian and egalitarian envisionment of society. Some posters dealt with immigration, some with worker inequality, etc. Artists worked collectively and held anonymous authorship to craft visually compelling images and slogans that framed their call for revolution. Through the placement of the posters, the public of Paris could not ignore the multiplicity of posters and the variety of calls making this movement not one for a singular counterpublic but rather a multiplicity of counterpublics.