Roman Ondak’s 2003 piece Good Feelings in Good Times uses the action of waiting in line to create an open dialog. This piece is as simple as it seems: actors are paid to act natural while waiting in line somewhere in a museum. The line stays until it eventually dissolves, collecting unknowing participants. At this point, the actors take a break and the line is reformed. What is special about this piece is that it is nothing out of the ordinary, yet it causes us to think about ourselves, our intentions, and our place in a greater society. Each line depends on a small social contract. In addition, if one chooses to join the line, their reality is broken when the line disperses—after all, there was nothing to wait for in the beginning. Because every one of our actions is shaped by the world around us, looking critically at something as mundane as a line can make us reshape what we thought was reality.